Skip Marley Represents Strong, Releases ‘Close.’ – Ebuzztt.com

Last weekend’s Miami Carnival sounded the alarm for the release of brand-new Soca anthems as all eyes look toward Trinidad and Tobago carnival 2025. Zig Boi Music producer, Mr. Spine is as ready as he’s ever been, jumping back into artiste mode with the release of the Radio Active riddim. “There’s never been a better time,” he says, explaining that he’s about to lead the new generation of artistes from the front, showing them the necessary methods of executing to deliver a wholesome music and performance product. 

A music producer, sound engineer, DJ and business owner, Mr. Spine is by no means new to the music business. In fact, he was instrumental over the past decade and more, for the music delivered by many artistes, including Orlando Octave, Kerry John, Grenada’s Mr. Killa and others. Across the region, respect has been earned – the entertainment professional having worked with artistes like Shabba Ranks, Beenie Man and Konshens among others. Now, as Carnival 2025 looms, Mr. Spine has set his intent and has pulled together a few artistes, as he unleashes the Radio Active Riddim. 

“My single on the riddim is called, ‘BBL,’ and it’s dedicated to the ladies who love themselves no matter face, size or figure. It’s a song that’s designed for fun and we’re about to have a lot of fun with this one,” he laughed. The other artistes on the riddim are Yankey Boy and Cedonia who’ve collaborated on their track, Leonce, Kerry John and Rayzor. “I believe riddims are good for two reasons,” said Spine. “I see the value in riddims for the collaborative marketing of a project – something that lessens the financial strain on artistes – especially new artistes. Separately, as a producer, riddims help you to quickly build your catalogue,” he said.

Over the past 15 years, Mr. Spine chose to remain in the background, serving artistes with both his production and songwriting skills. “I’m currently working on my music label and it will be a multi-dimensional, multi-service approach to artiste development in T&T and the Caribbean. I felt there was only one way to truly show young, upcoming artistes how the music industry should be approached – from blueprint to completion on a project,” he explained.   

‘BBL’ was written by Mr. Spine but co-produced by Tal and Sucre. “We must endorse the youths in the music industry; they are the future,” he emphasized. His vocality on the importance of empowering young Caribbean artistes, is nothing new. He has championed the importance of artiste development for up-and-coming entertainers, for many years, via various platforms. Now, with an unbeatable spirit of action and promise, Mr. Spine is standing up front, ready to lead his troops into the new age of Carnival stage show and sound. 

For more on Mr. Spine, check out ZigBoi on all social media platforms and via www.zigboi.com.